Supreme Rights – Hondred Percent

The early morning rains on Saturday, 29th October, 2016 was definitely a sign of good things to come at Apam. Though I got stuck in the mud on the way to the Ehalakasa Festival 2016, I arrived in time for the festivities.
This was definitely an improvement from last year. The sound was better and there was a band – Genius Hive Band. As an artist who has visited numerous shows and considering the line up in store, my expectations of a quality show was short sighted.
The festival was EXCELLENT! Definitely ONE HONDRED! Threw me off guard completely.
The festival started with an open mic session which saw up coming artists perform before the main event. Poetry, dance and rap graced the stage as the Two Idiots, Dr.So and Gen.Ntatea ushered them as MC’s.

Students from GHANATA at Ehalakasa Festival 2016,Apam

Students from GHANATA were part of the open mic session and coloured the event with their art. Their confidence, stage craft and words pave a promising future for the art scene in Ghana.
“Black alone doesn’t make a difference but black and white make a gray”
–Yvonne from Ghanata
This line stuck to me throughout the festival. It’s similar to the saying “no man is an island” but puts more emphasis on racial unity as the way to get things done. Great minds are definitely blossoming on our shores and this goes to show the importance of Ehalakasa’s involvement in schools. Their workshops have definitely molded artists for the future.
The event was graced with the presence of Ghana music legend Ebo Taylor, who opened the main show with a short speech encouraging artists to continue in their craft.

Donad (SA) & Hondred Percent (GH) Ehalakasa Festival 2016,Apam

The festival was definitely an African one. We had Philo from Ivory Coast, Faithful from Cameroon and Donald from South Africa. Each artist had vibe that interacted with the audience and created a memorable performance. Donald’s “Hook em Up” Performance got the audience performing with him and our French brothers from Ivory Coast and Faithful tried their hands at Fanti and got us waving our hands and bumping to French.
Kacey Moore’s performance was a medley of genres. Hiphop and High Life mainly but I am sure the was some Reggae or Dancehall in there. The energy, the highs and lows in his tone accompanied by the band definitely made my body move. The host of Kona Live with Kacey Moore delivered and set the stage for the main act for the festival, Worlasi.
What follows Worlasi is hard to explain. His style is unique and laid back. Effortless and smooth. I could go on and on but let me stop and say that this guy has a way with his music and audience. He broke down on an intimate level why the songs he performed were written in a manner that you don’t get when you listen to his ŋusẽ mixtape.
My favorites of his performance was “Possible” and “Nukata”. What I loved about “Possible” was that it was an inspiration to the art community to keep pushing. He encouraged all by reminding us of how he had dreams (like we all do) of meeting influential artists like Da Hammer, Sarkodie and Manifest. He elaborated that he had met all these people and they all came to him and not the other way round. He concluded by saying that if your work is good people will come looking for you.
Worlasi concluded the event in style and reminded us that not only is anything possible but that you can have fun doing it.
The Two Idiots were excellent hosts and need to be given more events to showcase their with and humour. Without them the event wouldn’t have come off the way it did.
The sad thing about the festival was that it was not well patronized. That is what needs to be worked on next year.
The Haduwa Cultural Institute in Apam, Central Region is a beautiful beach location booming with opportunity. I challenge you all to make it a point to come out next year with a change of clothes so you can have a taste of the beach as well.
Ehalakasa did a great job in pulling this together. I know a lot more can be done but together anything is possible so let’s make it count.
In conclusion,I want to leave you with the punchline of the event. I don’t believe I have the exact phrase but it was by the poet Akambo who continues to amaze me each time I see him perform. The punchline is in response to a girl obsessed with technology (and a bit irritating to)
It goes something like this:

“Since you are so obsessed with technology, the next time you are on your period use an iPad”

Keep it One HONDRED!

I first stumbled upon Worlasi’s unique sound earlier this year upon a video shoot at Francis Kokroko’s studio in Osu. Mawuli AKA Daniel Quist was bumping to tracks of Worlasi’s album “Nusē: The Strength Within” and raving about the artist.
At the time I had no idea of who he was. Track after track during conversations I found it difficult to point out error in his art and embarrassing that I did not know about this great artist.
It was official…….I was hooked.
As an artist there is only one phrase I can use to describe his music: beautiful envy. I envy his artistic prowess and yet inspired by it.
His style is unorthodox and cool. A complex yet simple medley of pidgin English and Ewe over beats he produced that evolves the Hiphop I know into something else.
I had to get more Worlasi in my ears. Luckily for me Soundcloud houses a number of his tracks. From earlier works to his albums, it’s all there. I soaked into each track until I stumbled on “One Life”.
As a Ghanaian, beautiful doesn’t begin to describe “One Life”. The instrumentals produced by Worlasi creates nostalgia and gets you bumping before his lyrics hit your ears.
Comprehension of my enthusiasm is difficult if Ewe doesn’t roll off your tongue as smoothly as Michael Jackson dance moves. The video for the song however is kind to provide subtitles to break the beautiful mystery of Ewe down for you.
The more I soak in Worlasi’s music the more I am encouraged that Ghana’s music has a future. We are a nation blessed with amazing artists that Ghanaians for lack of exposure struggle to understand. Thus music is more about empty lyrics and dancing. That’s great but doesn’t challenge the status quo.
Great art is a medley of entertainment and admiration merged with commentary on a social or political issue. Manifest is an artist that understands this concept and continues to lean on it. Worlasi as an artist and producer is taking that concept to the next level.
His recently released track, “Nukata” is the artists take on male obsession with women that lead them to empty their morals and cash. I call it the Pidgin and Ewe version of Gasmilla’s “Telemo”. The video is equally interesting portraying a man vommitting out dollars and later cedis and later coins just to satisfy his passion’s (embodied as a female) desire.
If you have not heard about Worlasi, search for him and listen to the future of our music. He is going places and I will be proud to see him raise Ghana’s flag higher.
(Don’t for a second however think my enthusiasm for his art is because he featured on Manifests track “100 percent“.)

Tag: Supreme Rights

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