Its been three days since I released Ronning and to be honest I am not too happy with its performance.This is supposed to be my first release and by the second day I had not reached even a hundred plays on SoundCloud. So much for being called Hondred Percent.
Performance
Ronning was released on both SoundCloud and ReverbNation on Monday 13th February 2017.
I now know how mothers feel when they leave their children with a guardian or friends for the first time. I must have opened the SoundCloud app over a hundred times to check on the singles performance. I had let out a part of myself into the web and was worried about how the world will receive it.
At the end of the first day, SoundCloud reported 61 plays. I was happy about the performance but wished for more plays and likes, which got me wondering if I was marketing the single to the best of my ability.
On the second day it increased to 85 plays. Yesterday I checked and I was happy to see the track pass the hundred plays mark.
I also realized that I need to download SoundCloud Pulse: for creators, an app that allows artists to manage their content on SoundCloud.
My Learning Curve
Looking at the work involved in promoting my art and brand, it seems as if creating the art is easier.
Managing yourself as an artist is hard work. Social media and WhatsApp are great but they are just tools. Using them to churn results is another learning program; and as an independent artist I guess I just enrolled.
This week alone I have had to do some serious work on my Facebook page profile. Call it spring cleaning. I have also added the lyrics to Ronning on genius with some interesting annotations.
All this is to grow my fan base and engage better with fans. To do this efficiently though one needs some apps to help. By the end of the year I will probably be experienced enough to give a talk on the do’s and don’ts as well as recommend apps that are free as well as worth the money.
Stats
So far my stats are okay. Facebook is kind of pathetic though. I have less than 500 people liking my page. This all goes to show the amount of work I need to put into my brand.
I have to rethink how I go about my promotions and evolve into an artist that is seen to truly care about his fans and art.
This means being more organized and engaging with fans socially online and offline.
What’s Next With Ronning
Video, video and more video. Audio is great but we love eye candy. Don’t worry, an official video is in the works. Next week a lyric video for the track will be released. For now there is a teaser video for Ronning. Lets pray that all this goes to push the brand Hondred Percent.
Keep it One Hondred!
Now on to figure which video service is better for me. Facebook or YouTube?
Check out the Ronning teaser video here
Let Me Tell You About WTF?
On 2nd February 2017, I got hold of my first album. It was an emotional forty minutes as I listened to every track my partner in sound Ike (AKA Boamah Made It) and I had created over a period of eight months through the studio’s speakers.
The title of the album is WTF? I could get down into what the acronym means but that will defeat the idea behind the album.
It’s not a spoken word album neither is it a rap album. I call it a Ghanaian Hiphop album and leave the album to you when it comes out to conclude on what you think it is.
The album is comprised of twelve tracks. Ten tracks make up the album and the remainder are bonus tracks. The album features no one and had production by Boamah Made It, KaySo Beethoven and myself.
I have so far played the album to a couple of friends and fans and the response has been great. Unfortunately, the album only comes out in June 2017. Until then the plan is to gradually build a fan base via singles of which I will release every month and organize listening sessions to introduce myself to unknown crowds.
Today for instance I have a listening session with my old high school SOS HGIC. Same high school that artists like Manifest and Paapa came from. Manifest was my senior when I came to the school and Paapa I never met during school because he arrived after I left the school.
The listening session is a motivator for me because for the longest time I have been holding what I consider a gem and I am eager to know whether I am the only one that thinks it is so. I want to know whether what I was communicating was received and whether the content and music within are rich enough to become a timeless classic.
Hopefully I shall get these and more to tonight at the session. I will take footage and pictures and will be sharing them out next week or later. Maybe later as next week I will be busy promoting my first single Ronning which comes out Monday 13th February 2017.
For all those who support me, I appreciate it. Your likes, comments and love will enable me to achieve my dream. I cannot do this alone and need you to help make this dream of mine a reality. Look out for more informing WTF? Keep it One HONDRED! this weekend.
PS I am also on ReverbNation now.
3 Days To Ronning
Last night I released the official cover art for my first single Ronning. The artwork was courtesy of JoJos Conceptions an upcoming graphic designer whose art in my opinion shows great promise.
This single is the next stage in my career as a Spoken Word Artist.
Since 2011, I have performed alongside many artists across numerous genres. Each having their own uniqueness. I have also studied my surroundings and its people. One however cannot learn everything and this next stage is another learning curve as an artist.
Each month until June, I shall release a single leading to my album release in June. Three of these singles, including Ronning are not part of the album.
The album and singles are my way of showcasing my talent and versatility that God blessed me with.
Ronning is one of my favorite pieces because regardless of the crowd its entertaining. It’s a spoken word piece written to bring out a smile on a girl’s face.
The piece had a different name until February 2017. It used to be called “She Was Pretty”. (Lame right?)
I have this bad habit of naming my pieces after the first line of the poem or lyrics. Anyway, I thought that wasn’t fitting in a Ghanaian context and thus the name change; which given the content in the piece, fits perfectly.
The piece on its own without music in the background is good. However, given that Ghanaians are still getting used to poetry or spoken word, I thought it best to add music to provide a more entertaining listening experience.
Ronning was written somewhere in 2008 in South Africa. If someone had mentioned at the time that in 9 years that this will be my first single I would have said “Get outta here!”
Well we learn everyday. The single will come out on SoundCloud on 13th February 2017. Be sure to look out for it and always keep it One HONDRED!
Dzyadzorm – The Wine Wrote This
I feel duty bound to tell the world of the interesting things happening in the world of poetry in Ghana and beyond. Broadcasting this is a way for the industry and the artist to receive feedback to improve on their craft.
As an artist on a similar journey of revelation, I feel the nervousness sometimes experienced by novices on this road and thus respect any artist on such a journey regardless of their success.
Dzyadzorm is a special lady not only because she is a poet and part Liberian but because of her bold stand on issues facing women. As long as I have known her I have admired her voice and unique take on her subject matter.
The Wine Wrote This also known as #TWWT is her first EP. I had the privilege of listening to it at a listening session earlier this year. The content is great as it reflects the honest thoughts of a woman with the help of wine of course. (I am not sure whether wine is the cause for the poetry though)
I implore you to give it a listen and at the very least give feedback on how the pieces made you feel. I am positive that she would appreciate the gesture.
Listen to the album here
Keep it One HONDRED!
Ronning – My First Single
Ronning is my first single which I will be releasing on 13th February 2017. It’s a pidgin word which describes the act of an attracted person charming their prey with words. (In that case you might as well call me a Ronner)
I wrote Ronning in either 2008 or 2009 whilst I was in University. At the time I was looking for an entertaining piece that could put a smile on a girl’s face and also make a guy go like “damn! I wish I came up with those lines”.
Ronning has over the years been a piece I could rely on to do justice to a dull crowd and thus makes it a fitting piece to start my journey on releasing music. I also deem it fitting, as February is the month of Valentine’s Day.
For those who have heard the piece before, expect a twist to the piece in terms of music. I decided to play with a genre of music which Ghanaians may not be used to but provides in my opinion, the perfect atmosphere to enjoy the track.
Well I will not say more. Look out for the track on 13th February 2017.
Keep it One HONDRED!
Follow Hondred Percent on social media to be updated with his upcoming releases and album
Drum Roll, Please – Review
Poetra’s Drum Roll performance begun with the poet dressed in a beautiful African themed dress and pair of silver heels she referred to as props, placing a bottle of water and a roll of card papers on stage.
The card papers were a part of her performance. The bottled water however, was her copying what she had seen other artists do the past couple months whenever they came on stage.
Poetra was joined by a drummer named Richie from The Musical Lunatics who provided drum beats throughout her performance.
The purpose of the roll of card papers was to usher the audience into a theme of poetry to be performed by the artist. The audience was to read out what was on the card when the artist held it up to begin a series of performances related to the content on the card.
The use of a drum kit as an instrument supporting poetry is unusual in mordern Ghanaian poetry performances. African drums have in the past accompanied poetry performances but lately the guitar, saxophone and sometimes piano are used to provide melody for poets to lay their words on.
Why Drums?
Poetra is no stranger to performing and entertaining crowds with a live band. However for poetry, sometimes the message gets drowned in the music.
The idea from the show came from the artist watching a performance of a female poet with a single instrument and the impact that had on her poetry.
She decided to use drums but added that any other musical instrument could be used to achieve the same goal.
Themes, Chapters or Stages
There were eight themes or chapters of Poetra’s Drum Roll, Please performance. The first was Motherhood. It begun with a poem that painted the real life story of a woman in Cape Town, South Africa who killed her own son as a result of her frustration of his drug abuse.
The piece begun with the artist singing her own rendition of “Hallelujah”. The poem itself starts with the concept of mathematics and how the mother was so good at it. Her bearing a son that depended on her was a beautiful equation. “Tick Tock” was then used to time travel a decade and some years later when the ticks to suggest correct answers evolved to tik (South African nickname for methamphetamine). Which lead to her killing her son or math equation as her way of showing love and ending with the phrase .
“Were you ever good at this thing called math?”
That’s the summary but the poem actually has more depth than that.
Woman was the next theme. The beat pace from Richies drums quickened and was heavy. It ushered a song, a poem and then a song called Annie of the poets Motherfuckitude album. The track which evolves around a girl named Annie’s choice to not wear panties always intrigues audiences. Females are indeed interesting.
Sensuality was the theme that followed next and from the way the crowd read the card, you could tell they were anticipating something bold and edgy.
It started with the chorus of J.Coles Power Trip and evolved into poetry. Poetra has a way of using sex metaphors to make a point. As to whether it is to get the mind to focus or to draw the similarity in things is unknown. Her effortlessness in engaging the human senses to simulate her words theatrically is how the poet has acquired a fan base.
The themes that followed were Love, Heartbreak and Saving Yourself. Supreme Rights artist, Worlasi joined in to perform a section of his track Freedom of the Nuse mixtape where Poetra features. The words and lyrics aided the concept of saving one’s self and even though it was not apparent the drums were still at work like a heart beating unconsciously to the human.
The last two themes were Arts and Politics and Self Love, which was concluded with Tema based producer KaySo joining in to provide strings.
All in all it was a wonderful experience. Poetry lovers would have enjoyed this journey with drums and words. All the guest artists were amazing from KaySo, Chief Moomen, Cina Soul, Musical Lunatics and not forgetting MC extraordinaire Daniel Quist who attempted a remix of Cina Soul’s Julor.(which isn’t bad by the way)
I enjoyed my performance yesterday. It was my first time working with a band and I was blessed to have The Musical Lunatics make that happen. The rap performances were awesome and I will share the videos later.
Keep blessing us Poetra with your art. The rest of you remember to keep it One Hondred!
Drum Roll, Please
Do you know Poetra Asantewa?
She is one of Ghana’s finest poets who also runs a fashion label as well as the Yobbings greeting card line.
Poetra recently came back from a tour in the United States and I am itching to see how that experience impacts on her performance.
As I prepare to release my album next year, I make it a point to learn from others who have released poetry albums and who are doing things I want to do.
With her Motherfuckitude EP in the bag, Poetra is raising the Ghanaian poetry flag high and I am privileged to know her and work with her.
The show which takes place on Thursday, December 1 2016 at the Drama Studio, University of Ghana will be supported by producer and artist KaySo, the amazing songbird Cina Soul and myself.
I am honored to be sharing a piece of myself with the audience and working alongside such amazing talent.
So what will I be performing that night?
I am still deciding. Though I have a fair idea of what I want to do. There will definitely be rap and poetry. I have not performed in a while since I have been putting in work at the studio on the album.
I however look forward to performing and witnessing the amazing talent especially Poetra and what she has in store for the audience. I hear drums are involved. Can’t wait!
P.S Drum Roll, Please starts at 8:00 PM.
Remember to keep it Hondred Percent!
Ehalakasa Slam Final 2016
Ehalakasa is an organization promoting performance poetry since 2007. Since I begun my poetry journey in Ghana in 2011, Ehalakasa has helped in making me who I am today as a poet.
Ehalakasa runs an annual slam of which I have won twice. A slam is a poetry competition where slammers (poets) battle out by performing and having their performances scored by judges to reveal a winner.
Ehalakasa’s slam takes place in three rounds with each slammer having three minutes to perform. Going above this results in a penalty. Judges are chosen at random and are given a quick tutorial on the judging process and given score cards to rate performances.
It’s a very interesting experience for both the contestants and the audience. Some of the best poetry is performed at these slams.
This year I have the honor of being the slam master (host) of the final. With the experience gained over the years I am sure I will do a wonderful job. I will also be publicly announcing my album release date on that day.
I urge you all to book the date and be there to support the finalists and the movement all together.
WTF-My First EP
I started out doing a number of solo shows and quickly realized that I needed to develop a fan base. Those who came out to see me encouraged me and made me a believer in myself and my art. However for the most part, my art wasn’t out there in video or audio.
I never felt comfortable putting my material out. I didn’t feel the time was right. I guess I didn’t also hadn’t figured out my brand.
Presently I am taking a risk. A risk of passion to make it as a spoken word artist and entertainer. This EP is proof to anyone who listens that God has blessed me with art.
I have a plan to share it with the world but I can’t do it alone. The blog on this site details my artistic journey in the making of this album and other art projects I embark on.
Subscribe, share and engage by either liking or commenting. Your words mean a lot to me and support me more than you know.
In the next few days I will shed more light on what has been achieved so far and the plan I have to market the album.
I am not yet revealing what the acronym WTF stands for. I leave that to your imagination.
Stay winning and keep it One HONDRED!
Ehalakasa Festival 2016 Review
The early morning rains on Saturday, 29th October, 2016 was definitely a sign of good things to come at Apam. Though I got stuck in the mud on the way to the Ehalakasa Festival 2016, I arrived in time for the festivities.
This was definitely an improvement from last year. The sound was better and there was a band – Genius Hive Band. As an artist who has visited numerous shows and considering the line up in store, my expectations of a quality show was short sighted.
The festival was EXCELLENT! Definitely ONE HONDRED! Threw me off guard completely.
The festival started with an open mic session which saw up coming artists perform before the main event. Poetry, dance and rap graced the stage as the Two Idiots, Dr.So and Gen.Ntatea ushered them as MC’s.
“Black alone doesn’t make a difference but black and white make a gray”
–Yvonne from Ghanata
This line stuck to me throughout the festival. It’s similar to the saying “no man is an island” but puts more emphasis on racial unity as the way to get things done. Great minds are definitely blossoming on our shores and this goes to show the importance of Ehalakasa’s involvement in schools. Their workshops have definitely molded artists for the future.
The event was graced with the presence of Ghana music legend Ebo Taylor, who opened the main show with a short speech encouraging artists to continue in their craft.
The festival was definitely an African one. We had Philo from Ivory Coast, Faithful from Cameroon and Donald from South Africa. Each artist had vibe that interacted with the audience and created a memorable performance. Donald’s “Hook em Up” Performance got the audience performing with him and our French brothers from Ivory Coast and Faithful tried their hands at Fanti and got us waving our hands and bumping to French.
Kacey Moore’s performance was a medley of genres. Hiphop and High Life mainly but I am sure the was some Reggae or Dancehall in there. The energy, the highs and lows in his tone accompanied by the band definitely made my body move. The host of Kona Live with Kacey Moore delivered and set the stage for the main act for the festival, Worlasi.
What follows Worlasi is hard to explain. His style is unique and laid back. Effortless and smooth. I could go on and on but let me stop and say that this guy has a way with his music and audience. He broke down on an intimate level why the songs he performed were written in a manner that you don’t get when you listen to his ŋusẽ mixtape.
My favorites of his performance was “Possible” and “Nukata”. What I loved about “Possible” was that it was an inspiration to the art community to keep pushing. He encouraged all by reminding us of how he had dreams (like we all do) of meeting influential artists like Da Hammer, Sarkodie and Manifest. He elaborated that he had met all these people and they all came to him and not the other way round. He concluded by saying that if your work is good people will come looking for you.
Worlasi concluded the event in style and reminded us that not only is anything possible but that you can have fun doing it.
The Two Idiots were excellent hosts and need to be given more events to showcase their with and humour. Without them the event wouldn’t have come off the way it did.
The sad thing about the festival was that it was not well patronized. That is what needs to be worked on next year.
The Haduwa Cultural Institute in Apam, Central Region is a beautiful beach location booming with opportunity. I challenge you all to make it a point to come out next year with a change of clothes so you can have a taste of the beach as well.
Ehalakasa did a great job in pulling this together. I know a lot more can be done but together anything is possible so let’s make it count.
In conclusion,I want to leave you with the punchline of the event. I don’t believe I have the exact phrase but it was by the poet Akambo who continues to amaze me each time I see him perform. The punchline is in response to a girl obsessed with technology (and a bit irritating to)
It goes something like this:
“Since you are so obsessed with technology, the next time you are on your period use an iPad”
Keep it One HONDRED!